This is entirely down to the performance of Emilia Clarke, who completely sold every emotion Daenerys was feeling in each scene. They want us to believe the Night King is terrifying and dangerous, but want to keep the main characters alive for a neat ending.Įmilia Clarke was Emmy-nominated for her performance. Weiss (D&D) trying to have their cake and eat. It makes the situation feel false and very unbelievable. Seeing this makes the danger feel artificial, manufactured, and, well, not very dangerous at all. Instead, we see various unnamed soldiers get mobbed and killed by a group of wights, but then see various main characters get mobbed in the exact same way but escaping unharmed. In a world where those things happen, how on earth did only two main characters (Theon and Jorah) die in this supposed-end-of-the-world battle? These are all disposable characters whose deaths the episode would have benefitted from as it would have shown us the brutality of the Night King and the danger his army possesses. Tormund, Grey Worm, Podrick, Gilly, Bronze Yohn Royce, Missandei. Jaime, a one-handed man fighting with his weaker hand, survives. Davos, who it is made clear can't fight, survives. Brienne should have died, despite the excellent fighter she is, because she has served her purpose, too, after getting knighted.
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He is not a good enough fighter, plus he has served his purpose by telling Jon his true heritage. It's incredibly frustrating, even a year later.Ī huge army of the dead, yet so many people still survived. But then … pretty much everyone survives. It's beautiful and terrifying and effective.īut, still, it is impossible to escape the fact that these two episodes preparing us for what is to come, telling us that the Night King brings death, people will die, bad things will happen. The best scene of the entire season comes in episode two, when Jaime knights Brienne, which is followed by Podrick giving a haunting rendition of "Jenny of Oldstones" while the living prepare for their fight against the dead. I can appreciate the individual quality of these well-written, stoking-the-fire episodes, and really enjoyed them this time around. Now, however, these two episodes are bittersweet rather than just bitter.
Last year, I dismissed the first two episodes as time-wasting - two out six episodes spent on build-up. I now appreciate the individual quality of the first two episodes, even if they are just wasted build-up Martin created, and thanks to the final season I am now diving back into Westeros anew as a devoted fan.
However, although it was, sadly, equally painful a second time around, season eight has reignited my passion for the world George R.
Unfortunately, after a second viewing a year later, I still believe that season eight was anti-"Game of Thrones," despite an excellent cast and incredible artistic work including costumes, sets, effects, and music. However, since the coronavirus crisis has left most of us with extra time on our hands while in lockdown, I decided to rewatch season eight to see if, one year on, my opinion on the controversial final season of my favorite television show ever has changed. Things got so dramatic that a petition was created for HBO to remake the eighth and final season with "competent writers," which has now been signed by over 1.8 million people at the time of writing - and is still getting signatures at a fairly quick rate. Critics reviews were mixed, at best, while the fans receptions, myself included, was scolding. Unfortunately, our excitement for the final season of GoT was. A year ago this week, the world was finally given season eight of "Game of Thrones" after a wait that seemed like an eternity.
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